My immediate goals are now to a) record a bunch of dry inputs for certain melodies/riffs and b) replay them on a loop through the GT-1000 while monitoring in order to c) sculpt the exact sound that I'd like for each part. This is amazing and I never thought of this as a possibility. You can now use the exact same dry signal and change settings on the GT-1000 to completely redesign the sound if desired.To re-amp, send your dry output track to the GT-1000's dry input.Record both the main outputs from the GT-1000 and the dry output.It has been a long time since I did any home studio work, certainly over a decade, and I had never thought of re-amping as something that was even an option, but basically what you can do is: Ignore the sub input/output, as that's not really interesting here. The GT-1000 USB audio interface exposes three outputs (main, sub, dry) and three inputs (main, sub, dry): What I hadn't planned for was the ability to use the GT-1000 to re-amp dry signal on the fly.
When I'm not recording, I use this to practice by enabling monitoring on the inputs so I can hear the guitar output through my headphones or studio monitors.
I have a Shure microphone as an input on the front of the device, and I have two 1/4" inputs being used on the back to capture output from my guitar modeler, a Boss GT-1000. To begin, here's is my current setup which was as planned: I have mostly built my studio but I have run into an issue that I hadn't planned for.
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